A significant part of BDFI’s mission is its collaboration with our partners. We spoke to Beckie Coleman, Professor of Digital Futures, about her current Knowledge Exchange Programme with BDFI’s community partner Knowle West Media Centre and where it is taking them.
What does your role at BDFI typically involve?
I have quite a varied role with BDFI. One aspect is working with BDFI partners in different ways (e.g. on research projects, in workshops and meetings) and making connections across the university with people researching and teaching on digital technologies, innovation and futures. My own research focuses on digital media, technologies and culture especially through arts-led approaches to imagining and building better futures.
At the same time I’m based in the School of Sociology, Politics and International Studies (SPAIS) and teach and supervise there as well. We’re currently developing a new MSc in Digital and Technological Societies, which should launch in September 2025.
How did the partnership with KWMC come about?
When I joined BDFI, a group of us visited KWMC where I learnt more about their long-standing work and the area of Knowle West in south Bristol. I was particularly excited about how they approach tech through arts and co-creation practices, and how they see digital innovation as happening in communities as well as in industry and academia. BDFI already had strong links with KWMC through different projects, including Digital Inequality and Explainable AI.
I co-developed a pilot project with Creative Co-Director Martha King and others on ‘Post’-pandemic hybrid futures, where we experimented with different technologies to ensure questions of accessibility and inclusion raised by doing things online during the pandemic weren’t lost when we returned to in-person ways of doing things. From this project, Carolyn Hassan (who was then CEO of KWMC) and I applied for me to have a Knowledge Exchange Placement at KWMC, to strengthen the BDFI/KWMC relationship further, build further capacity and develop longer-term projects. We focused this on how digital futures can be built through community tech. We were successful, and I’m now Researcher in Residence at KWMC, spending the equivalent of a day a week there.
How does it work practically?
This is also quite varied! I go to KWMC regularly, usually once a week, where I attend organisational meetings, working groups and other activities, such as Creative Hub, which is part of the young people’s programme. These have really built my knowledge and understanding of KWMC and Knowle West more widely. I’m concentrating especially on how community tech has been central to what KWMC do. For example, I’m looking back at past projects to draw out the different tech they have co-created and deployed. This has included sensors, AI and digital fabrication.
I’m also interested in the creative ways they have communicated this work, including embroidered data visualisations and sound-tracks, and the different themes they address, which include green spaces and biodiversity, housing and sustainable energy, high-streets and regeneration. I’ve also been interviewing KWMC staff in order to explore what ‘community tech’ means to them. Community tech is quite a new term and so we’re trying to work out what it might mean for KWMC’s work and how it might be developed further. What does community tech encompass? How can community tech help make better futures? What do we need to develop it further?
What are the highlights?
One issue that has come out so far is the importance of community tech infrastructures. This includes hardware and software that must be maintained, and funding for this can be very hard to find. This dovetails with a project KWMC are currently doing, funded by Promising Trouble, called Makers and Maintainers, which focuses on building the resilience of existing community tech already in use by community businesses in England. We’re also thinking about how community tech infrastructures refers to the ongoing practices and more intangible knowledges and understandings that go in to ensuring that communities are invited into discussions about, and innovation of, tech.
What is really distinctive about KWMC are the arts-led approaches they use to centre and explore issues that are important to a community, which often involve working with artists to co-create tech and to communicate the findings in imaginative and sometimes unexpected ways. For example, David Matunda is currently working with KWMC on a MyWorld Fellowship, investigating and prototyping creative uses for community tech in collaboration with the Knowle West community. We are organising a meet-up at KWMC in the autumn to explore these issues in more detail – what does approaching community tech through arts do? What do we need to support and expand this work?
You sound very busy! What other collaborations are you currently involved in?
I’m working with some of my BDFI colleagues and BDFI’s other partners – both community and industry organisations – on other collaborations. These include developing a pilot research project on the future of human/machine teams with one of our industry partners, and running workshops with other partners to scope out and co-design projects with them.
What’s the best thing about collaborating/working with other organisations?
I think if we are serious about building more inclusive, prosperous and sustainable digital futures – as BDFI is set up to do – we need to work in cross-sector collaborations. I’m especially interested in how innovation happens in everyday life, and what kinds of infrastructures might be needed to support this further.
I’m really enjoying getting out and about around Bristol and beyond, and am finding that this is, in turn, shaping how I’m thinking about and designing research projects so that co-creation, participation and public engagement are embedded throughout (rather than seen as an add-on or something that comes at the end of a project to share findings). It’s definitely an exciting time to be at BDFI!